Part One of this post…..
No Broadway theatre has any intention of honoring a postdate.
What is a postdate?
A postdate is a Broadway show ticket that has not been used by the purchaser on the day of the ticket’s performance.
The idea of it is to permit the patron to use that ticket for any performance available during the run of the show.
The catch is that the patron is to call Tele Charge after 11 on the day of the performance you wish to attend after the date of the original ticket performance has passed. The idea of it is that you are permitted to use that ticket for that day’s performance if space allows.
Sounds good, right?
I am still trying to find a way to see the show before the run of the show ends. I figured I’d see it once more and eat the cost of the second ticket or try to get in to see it for 2 performances, thusly utilizing both postdates.
Sounds easy, right?
Back on April 30, I was told by Tele Charge that I have until October 9 to use the 2 tickets.
I found out by accident that the run of the show is ending on June 26. It was last Wednesday that I found this out.
I have called Tele Charge daily — and on numerous other times since then, asking if the postdate can be honored this evening…
And every time, the answer is no.
Including 10 minutes ago. “No postdates for this run or any show up until Sunday when the show closes.”
If you ask me, I don’t think Tele Charge has any intention of honoring a postdate — I got stuck with my ticket for another show when I found out after the show closed that the show CLOSED.
This also means you cannot go to the theatre, get your 2 hard copy tickets and sell them to somebody on line. The theatre wants to sell 2 fresh and new tickets and make money. NOT let you sell YOURS in front of the theatre. Not honoring postdates so you cannot do that!
Telecharge does not tell you when a show is closing, if you have postdates for that show.
I got a bad nosebleed the day before the performance of American Psycho and I very well could not see the show with packing in my nose and with a sinus headache to boot, thanks to the tampon that was shoved up my right nostril. There was only one ticket. I wanted to see the show and I was going to go by myself. No such luck.
It is a fraud and rip off.
Part 2 of this post:
The $800+ legitimate ticket prices (as in not scalped) for “Hamilton”
You read right! $800+ for a premium seat! and over $100 and more for one of the cheaper seats way up in the never-lands of the theatre.
And the producers had the brass ones to complain about the scalpers? Uh, these ARE now scalped ticket prices! Where is the FTC? Where is the state board that regulates prices for consumers???
Hamil-fraud-ton, as I like to call it, will run indefinitely and these horrifically inflated ticket prices will be the norm. And no consumer will complain about the price.
The even scarier thing is that there will be some sap ready to fork over the money for the performance and damn the inflated price.
That show can run at least 5 years and I will bet you a billion dollars in profit will be made from this show. A BILLION!
Chicago is running 20 years. Imagine what Hamilfrauditon will rake in over a 20 year period of time!
$800+ for a ticket that’s an orchestra seat and nobody that’s a huge draw and commands a crush of patrons is in the cast. Sting could not save The Last Ship and who is a bigger name than Sting???
Sad and horrific — if you want to take a date to see the show and eat in the city, expect to fork over half a week’s pay, if you get the cheaper seats. $150 each, plus a good $100 for dinner, including tip???
No such luck if you wish to take your spouse and kids to see that show. Will cost you a fortune.
And if by chance you cannot make it to the theatre to see the performance, you are shit out of luck for a postdate. Imagine being out $1700 for 2 tickets! Doubtful you will find somebody who can get to you with that cash and pick up the tickets well in advance of the curtain time!
The FTC needs to look into the dishonor of postdates and end these inflated prices. Somebody or someone or some entity is behind these scalped “legit” prices and nobody in charge is ending it.
Screw you, Broadway. That is what I think.
PS, Lin Manuel: Tommy is by far the most original concept for a staged show. Who did this in 1969??? Nobody. Nobody picked up the ball and tried to transition it from concept LP to legitimate rock opera… a rock opera in 1969 -1970, in he midst of 1776 and Oh! Calcutta and Company?